Posts Tagged 'classic'
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Last Tango in Paris (1972)
Fifty Shades of Grey meets The Wrestler – or is it King Kong? A 48 year old Marlon Brando roams Paris like a rogue silverback. Apparently mourning the recent and mysterious suicide of his wife, he’s roughing up everyone and
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Last Tango in Paris (1972)
Fifty Shades of Grey meets The Wrestler – or is it King Kong? A 48 year old Marlon Brando roams Paris like a rogue silverback. Apparently mourning the recent and mysterious suicide of his wife, he’s roughing up everyone and
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Wake In Fright (1971)
A changing of the guard in Australian thespianism, featuring Jack Thompson in his first cinema role and Chips Rafferty in his last. It’s a great swan song by Rafferty, upsidedowning everything he’d done before. But Wake In Fright goes much
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Wake In Fright (1971)
A changing of the guard in Australian thespianism, featuring Jack Thompson in his first cinema role and Chips Rafferty in his last. It’s a great swan song by Rafferty, upsidedowning everything he’d done before. But Wake In Fright goes much
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Play Misty For Me (1971)
A great popcorn-munching, psycho-watching, knife-wielding suburban thriller that precedes and outclasses the bunny boiling Fatal Attraction – ’cause look, back in the day, who drove women crazier, Clint or Michael Douglas? There’s interesting debate to be had on whether it’s
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Play Misty For Me (1971)
A great popcorn-munching, psycho-watching, knife-wielding suburban thriller that precedes and outclasses the bunny boiling Fatal Attraction – ’cause look, back in the day, who drove women crazier, Clint or Michael Douglas? There’s interesting debate to be had on whether it’s
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Heaven’s Gate (1980)
The literally sprawling epic that made cinema history for all the wrong reasons, raping the coffers of United Artists so resoundingly it made directorial freedom look like a bad thing. Rightly pariahed for its indulgences and cavalier discipline, Heaven’s Gate
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Heaven’s Gate (1980)
The literally sprawling epic that made cinema history for all the wrong reasons, raping the coffers of United Artists so resoundingly it made directorial freedom look like a bad thing. Rightly pariahed for its indulgences and cavalier discipline, Heaven’s Gate
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Black Narcissus (1947)
One ought not to rebel against nature it seems, nor the nature of things. A gaggle of nuns embark on a girl’s own Heart of Darkness journey into the Himalayas but ‘something in the air’ undoes the itinerant sisters one
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Black Narcissus (1947)
One ought not to rebel against nature it seems, nor the nature of things. A gaggle of nuns embark on a girl’s own Heart of Darkness journey into the Himalayas but ‘something in the air’ undoes the itinerant sisters one